May I Have Another?: Tommy Tutone

Ever watch one of those VH1, “one-hit wonders” specials, where the random D level commentators start talking about these artists that had one hit, where half of them actually had multiple songs that charted? Random commentator probably has no idea but then somewhere in there Matt Pinfield comes in with his “I’m smarter than you and probably no fun at all” persona and makes sure you know they had another song that charted exactly at #98 for one week in 1984. Well, I’m the everyman’s Pinfield but funnier and better looking. This series will go back to the 80s and spotlight one-hit wonders (in the US), real (truly only one charting hit) or perceived (other songs charted low but they are known for just one song) and come to a definitive verdict if we should accept or reject their status as that one-hit wonder.

So look at this picture above and tell me you don’t see true rock star in this one? Am I right? Jeez louise, I mean you couldn’t look any less like a camera ready frontman, could you? But enough Tutone shaming here…

Tommy Tutone was a two man band featuring Tommy Heath on vocals and rhythm guitar and Jim Keller on lead guitar and backing vocals. They had a rotating cast of musicians to fill out the rest of the positions in the band.

Of course they are considered a one hit wonder for their 1981 hit, “867-5309/Jenny” which still lives on today. It’s really an interesting tune, very strong back in the 80s but today it kind of feels like a bit of a novelty track. The tune was written by Keller and one of his buddies, Alex Call. Over the years, Keller has indicated that Jenny was a real person that they dated for a while before she ended up being really pissed that her number was on a bathroom wall. But Call has verified he wrote the chorus years before and then Keller came in an wrote the verses – but before that, it was just a random number and a girl’s name that sounded good in song. As you’re surely aware of though, it was a real number in multiple area codes and thus a lot of people got a ton of fake calls looking for Jenny.

As far as their one hit wonder status goes, they actually had another top 40 hit before Jenny. They released their first record in 1980 and the lead track was “Angel Say No,” a pretty strong rock track that hit #38 on the Billboard 100 charts. Despite that, you have to be a real 80s fan to even remember that tune, so I understand why they are considered one hit wonders.

“Angel Say No”

It was the only single from the debut album and for really good reason. I’ve never bothered learning the entire backstory about how the band formed, however the vision I have in my mind (not based in any facts) is that these guys were playing cover songs in a bar and were working “Angel Say No” into their set. The right guy at Columbia records heard them and signed them to a deal. They went in the studio, recorded that song then wrote and recorded the other ten tracks in about an hour. I mean, that’s at least what it sounds like to me. The debut album simply isn’t strong past the opening track. In my opinion, one of the things that really held these guys back from having another hit was the lack of sing along choruses. “Jenny” had that but the vast majority of the tunes on all their records, don’t. And if people can’t sing along, then they don’t always come back.

As far as their second album (Tommy Tutone – 2) goes, the hit led off that album as well and while it’s better than the first, it’s tough to listen to the full record when it’s clear you already heard the best song right up front. I was listening to this album again in order to put it fresh in my mind and I got a little chuckle when I got to track#4 – “Bernadiah.” Bernadiah is supposedly a woman and I hope to all hell that she’s real because if she isn’t, I can’t imagine how someone comes up with that name to put in song. (Frankly, even if she’s real, call her Bernie for the song). There was actually a second single from the record called “Which Man Are You” which bubbled under at #101 and I’m surprised it got that high. It’s a pretty generic song lacking any excitement like “Jenny” generated.

“Which Man Are You”

While I listed to Tommy Tutone – 2, I immediately thought it was better than the first album but was still somewhat dull. That said though, two artists came to mind while listening – Marshall Crenshaw and Jackson Browne. I kept getting that “Somebody’s Baby” (Browne) vibe during the listening (that track would be released in the summer of ’82, so like 6 months after TT2) but again without the catchy chorus. In fact, even after listening and actually right now, I’m singing “Somebody’s Baby” out loud, which I guess means these guys are a second rate Jackson Browne?

Apart from the lack of catchy hooks, I simply don’t think that Tommy Heath is a very strong vocalist. That hinders my enjoyment of the band for sure.

Tommy Tutone did have a third record called National Emotion, released two years later in 1983. I love the 80s with tremendous passion and I’m not sure I even remembered this. There was one single from the record, called “Get Around Girl” which falls in line with the rest of their material in terms of quality.

“Get Around Girl”

It also seems that Tommy Heath brought the group back a few times as they released two more albums in the mid-to-late 90s that I surely wasn’t aware existed until right now and am not even going to bother listening to as they couldn’t possibly be of any relevance to their one-hit wonder status.

Verdict: One-hit wonder status accepted. Yes, they had a song in the top 40 before “Jenny” hit big and if it had been the follow up to that song, we might all still remember it and I would have rejected their status. But it definitely didn’t stand the test of time and when your true hit song sounds like a novelty track (and has been used in novelty promotions over the years), the status is warranted. I found nothing else that really should have been a major hit for them, so I hope they still get nice residuals off “Jenny” and maybe we’ll see them again on some 80s cruise.

“867-5309/Jenny”

May I Have Another?: The Buggles

Ever watch one of those VH1, “one-hit wonders” specials, where the random D level commentators start talking about these artists that had one hit, where half of them actually had multiple songs that charted? Random commentator probably has no idea but then somewhere in there Matt Pinfield comes in with his “I’m smarter than you and probably no fun at all” persona and makes sure you know they had another song that charted exactly at #98 for one week in 1984. Well, I’m the everyman’s Pinfield but funnier and better looking. This series will go back to the 80s and spotlight one-hit wonders (in the US), real (truly only one charting hit) or perceived (other songs charted low but they are known for just one song) and come to a definitive verdict if we should accept or reject their status as that one-hit wonder.

I figured I’d start the series off with a true one-hit wonder, The Buggles. We all know the Buggles based off their lone hit song, “Video Killed the Radio Star.” When it was first released by the Buggles in 1979, it went to #1 in multiple countries but only made it to #40 on the Billboard Hot 100 in the US. And the reason we all likely still remember this song is not from radio play at all. It’s of course because it went down as the iconic first video to air on MTV back on August 1st, 1981. However, that was two years after the single was released to radio. In fact, the Buggles released three more singles after that, even before the video got played.

So let’s step back a minute and look at the Buggles beginnings. This duo is actually two names you might recognize. Trevor Horn is on vocals, bass and guitar and would later go on to be part of Yes, Art of Noise and became a big time producer working with ABC, Frankie Goes to Hollywood, Seal and more. Then there was Geoff Downes on keyboards and drums. Geoff would join Yes soon after the Buggles first album, then come back and soon leave again to form Asia.

The band was formed in 1977 by Downes, Horn and Bruce Wooley, with Wooley intended to be the lead singer. Wooley actually ended up co-writing three tracks on the album including their only hit but during the recording sessions he decided to leave and form his own band, The Camera Club. His group actually ended up recording and releasing “Video Killed the Radio Star” first with a faster tempo and more prominent guitar.

The Buggles version of “Video” was released in September of 1979 and got to number 40 on the Billboard Hot 100, capturing a small part of the new wave / electropop crowd initially. They followed that up with “The Plastic Age” (listed as “Living in the Plastic Age” on the debut album The Age of Plastic) in January of 1980 which really would have been their best shot at another hit. It’s the catchiest tune on their debut but pretty quirky and without a true sing along chorus. After one quirky single that easily stuck in your mind a catchy but less appealing follow up simply didn’t cut it.

The Buggles would release two more singles off their debut, “Clean Clean” and “Elstree” which also didn’t chart. Overall, their album got decent reviews and has held up well over time within the electropop genre but didn’t really have any tunes better than “Video” on it (though “I Love You (Miss Robot)” sung through a vocoder is like Neil Young in his crazy-ish period). Horn and Downes started recording the next Buggles record but while in studio they were next door to Yes and were asked to join the band for the Drama album and tour. Yes broke up after the tour and they went back to recording that second album, Adventures in Modern Recording. Right at the start of those sessions, Downes decided to leave and form the supergroup Asia which left Horn to record the album with other musicians, making this sort of a solo record instead of a Buggles disc.

This 2nd Buggles LP was a bit more progressive in nature and experimented more with quirky sounds and off-kilter rhythms. The record itself is pretty solid but very different from the debut and at this point Horn wasn’t really known well enough for anything to get major airplay just by name.

Around the time the album was released, Horn had signed on to produced ABC’s Lexicon of Love album and he was convinced that producing was what he should focus on and thus ended the Buggles. While Horn and Downes have reunited here and there over the years for concerts, as the Buggles, they never recorded another record.

Verdict: One-hit wonder status accepted. Without MTV, “Video Killed the Radio Star” really might have went down in obscurity as well and while both of their albums were solid enough, there really were no song destined to be hits on either of them.